Paris Opera House

Opera Garnier

Paris enjoys the reputation of an art capital, with endless exhibitions, plays, dance performances, and films, as well as concerts, recitals, and operas of all kinds—classical, modern, or experimental. The city has two major opera houses—the Opéra Garnier and the Opéra Bastille. The Opéra Garnier is located in Paris's bustling commercial district, not far from the Louvre to the front and a series of high-end department stores (a shopper's paradise) behind it. When people speak of "the opera house," they generally refer to the Opéra Garnier, which serves as the venue for classical French opera and ballet, whereas the Opéra Bastille, like its architecture, is dedicated to modern and experimental works.

The Opéra Garnier was born during France's Belle Époque, constructed between 1862 and 1875, coinciding with the era of French Impressionism. It is a product of Parisian urban modernization, embodying the style of Napoleon III—a blend of all architectural styles from Classicism to Baroque, best reflecting the wealth of the Second Empire. Designed by the young architect Charles Garnier, it covers an area of 11,000 square meters. This grand theater space can accommodate 450 actors on stage and offers 2,200 seats for the audience. The magnificent ceiling fresco in the lobby was painted by Marc Chagall, and a crystal chandelier weighing six tons hangs above.

The opulent building of the Opéra Garnier is likened to a giant wedding cake. Constructed with superior stone, marble, and bronze materials, its finely carved facade is adorned with numerous decorations, resembling an extraordinary sculpture museum. The strict, balanced, and symmetrical facade is divided into two levels, each composed of seven porticoes framed by windows. The ground floor features rhythmic arched porticos decorated with sculptural groups themed around dance and opera, while the archways are embellished with bas-reliefs of famous musicians such as Mozart, Bach, Haydn, and Beethoven. The upper level consists of seven large windows formed by tall, symmetrical double columns that follow musical rhythms, exuding solemnity and elegance. Each distinctive window frame is topped with a statue of a renowned playwright. Above, on either side, are classical semicircular pediment reliefs flanking a series of reliefs themed around music. On the roof, dramatic angel sculptures stand symmetrically on both sides, while a verdigris dome at the center features a vivid group sculpture.

葛尼耶歌劇院誕生於法國的黃金歲月,是巴黎都會現代化的產物。
葛尼耶歌劇院誕生於法國的黃金歲月,是巴黎都會現代化的產物。
整座精雕細琢正立面布滿眾多的裝飾物、浮雕及雕像,宛若一座非凡雕刻博物館。
整座精雕細琢正立面布滿眾多的裝飾物、浮雕及雕像,宛若一座非凡雕刻博物館。
葛尼耶歌劇院華麗的建築物之造型被比喻為巨大的結婚蛋糕。
葛尼耶歌劇院華麗的建築物之造型被比喻為巨大的結婚蛋糕。
下面拱門廊間飾有精雕細琢之系列名音樂家(莫札特、巴哈、海頓、貝多芬等等)圓浮雕。
下面拱門廊間飾有精雕細琢之系列名音樂家(莫札特、巴哈、海頓、貝多芬等等)圓浮雕。
富於節奏性的圓拱門廊間,佈置系列以舞蹈及歌劇為主題的立面組群雕像。
富於節奏性的圓拱門廊間,佈置系列以舞蹈及歌劇為主題的立面組群雕像。
這系列以舞蹈及歌劇為主題的立面組群雕像中以右側第二座最為傑出, 是名雕刻家卡爾波(Carpeaux)的精彩作品,真跡現今典藏於羅浮宮。
這系列以舞蹈及歌劇為主題的立面組群雕像中以右側第二座最為傑出, 是名雕刻家卡爾波(Carpeaux)的精彩作品,真跡現今典藏於羅浮宮。
除卡爾波的作品外,其餘三座群雕像都相當學院化及裝飾性,這是左側作品之一。
除卡爾波的作品外,其餘三座群雕像都相當學院化及裝飾性,這是左側作品之一。
這是左側作品之二,如將這三座與卡爾波作品一比照的話,明顯差別是可見地。
這是左側作品之二,如將這三座與卡爾波作品一比照的話,明顯差別是可見地。
除戲劇性的群雕像外,還有兩座優雅性感的維納斯雕像點綴歌劇院正門口。
除戲劇性的群雕像外,還有兩座優雅性感的維納斯雕像點綴歌劇院正門口。
歌劇院門口卓越完美的路燈支架,也以古典樂器造構成形,這也是看得到的音樂。
歌劇院門口卓越完美的路燈支架,也以古典樂器造構成形,這也是看得到的音樂。
歌劇院門口裝飾性的鯨雕欄杆也不例外,都以看得到的音樂圖形裝扮之。
歌劇院門口裝飾性的鯨雕欄杆也不例外,都以看得到的音樂圖形裝扮之。
歌劇院右側面系列充滿性感迷惑人的裸女雕刻路燈,是花都唯一僅有地。
歌劇院右側面系列充滿性感迷惑人的裸女雕刻路燈,是花都唯一僅有地。
歌劇院右側面系列充滿性感迷惑人的裸女雕刻路燈,是花都唯一僅有地。
歌劇院右側面系列充滿性感迷惑人的裸女雕刻路燈,是花都唯一僅有地。
歌劇院左側面一座壯麗的年輕建築師葛尼耶(1825-1898年)之雕像紀念碑。
歌劇院左側面一座壯麗的年輕建築師葛尼耶(1825-1898年)之雕像紀念碑。
院後入門口兩旁各聳立一座別開生面大理石柱鐵燈台及詩意老鷹紀念碑。
院後入門口兩旁各聳立一座別開生面大理石柱鐵燈台及詩意老鷹紀念碑。
院後入門口精緻詩意的老鷹紀念碑。
院後入門口精緻詩意的老鷹紀念碑。