Parc de la Villette

Parc de la Villette

is the most exemplary landscape of Western postmodernism. It is neither a traditional French garden nor a naturally formed English garden. It is neither classical nor modern. Rather, it is a postmodern (or hypermodern) garden — some say it is a garden of the twenty-first century. Within its superbly perfect futurist forms, there are hardly any flowers or plants, let alone lush dense woods, yet it possesses a vast open green space. This is precisely one of the greatest characteristics of postmodern gardens, creating a multifunctional recreational space within the city (for example, outdoor concerts, films, circuses, sports, leisurely strolls, and all kinds of exhibitions, and so on).

The entire park, within its perfectly geometric streamlined architectural forms, presents a very concrete yet abstract — but also very concrete — structure of points, lines, and planes. Like avant-garde visual art, it is full of imaginative forms and substantive space, pleasing to the eye, and has become an excellent spot for Parisians to relax and enjoy themselves. This Parc de la Villette, full of grandeur and charm, is the masterpiece of the renowned landscape architect Bernard Tschumi, created as part of the urban renewal plan for the northern district of Paris in the nineties.

The expansive park (35 hectares) is sandwiched between hypermodern buildings such as the petrochemical-plant-like Cité des Sciences et de l'Industrie (museum), the spectacular crystal glass sphere (Geode), the gracefully curving Cité de la Musique (museum and concert hall), the music conservatory, the wave-roofed Grand Halle (large theater), and the iron-frame glass market exhibition hall, with the poetic Ourcq Canal, shimmering with watery reflections, running through it. These unconventional buildings serve as an excellent backdrop for Parc de la Villette, blending into the park's grand landscape.

維葉特公園是新世紀元園林典範,更是九十代 花都北區都會更新計劃中的傑作,框架在工業城及音樂城間。
Vijet Park is a paradigm of new-century gardens and a masterpiece of the 1990s Huadu North District urban renewal plan, situated between the Industrial City and Music City.
維葉特公園以壯觀工業城及晶體玻璃球為卓越的背景, 由一條水光幻影的烏可克運河穿越而過。
Vijet Park, with its spectacular industrial city and crystal glass ball as an outstanding backdrop, is traversed by the shimmering waters of the Ukok Canal.
晶體玻璃球就無形中構成維葉特公園壯觀宏偉的景觀之一。
The crystal glass spheres subtly form one of the spectacular and grand landscapes of Vihet Park.
維葉特工業科學城的宏偉景緻,就成為城北最現代化的都會風光。
The magnificent vista of the Viet Industrial Science City has become the most modern urban landscape in the northern part of the city.
晶體玻璃球上充滿想像空間的公園反映景緻風光。
A park reflected in a crystal glass ball, full of imaginative space and scenic beauty.
維葉特公園以鮮紅色的結構性建築物為核心, 分佈在公園的各個角落,宛若公園中的客體或主題般。
Vilette Park is centered on bright red structural buildings scattered throughout every corner of the park, as if they were objects or themes within the park.
整座公園在完美幾何流線建築形式裡, 展現出很具體的觀念、又很具體之結構。
The entire park, within its perfectly geometric and fluid architectural forms, manifests highly concrete concepts and equally tangible structures.
鮮紅色的結構性建築物有實、有空、有紀念碑、 瀑布、眺望台等等既具觀念性、結構性及視覺效果。
The vivid red structural building features solid and void elements, monuments, waterfalls, observation decks, and other components that are conceptual, structural, and visually striking.
飛廊及空中走道接連建構烏可克運河畔 鮮紅色建築物,形成一種別開生面的景觀。
The flying corridors and aerial walkways are continuously constructed along the banks of the Ukok Canal, forming a distinctive landscape with bright red buildings.
鮮紅色建築物是建築物還是巨大的雕刻呢? 共有25座,這是其中一座的特寫局部。
Is the bright red structure a building or a massive sculpture? There are 25 in total; this is a close-up of one.
鮮橫色建築物具有多功能及應有的視覺效應,融入自然綠色中映輝成一體。
The vibrant, horizontally striped building integrates seamlessly with the natural greenery, creating a harmonious visual effect.
這一景誰也不會認為這是公園,因為自然建築被建築自然所取代了。
No one would mistake this scene for a park, as natural architecture has been replaced by the architecture of nature.
現代化園中規劃有七大奇妙兒童樂園,是都會幼及兒童們的樂園。
The modernized garden features seven wonderful children's playgrounds, serving as a paradise for urban toddlers and children.
其中有風園、霧園、平衡園、驚嚇園、龍園等等多元性及開放性是最大的特色。
The gardens include Fengyuan, Wuyuan, Pingheng Yuan, Jingxia Yuan, Longyuan, and others. Diversity and openness are their greatest features.
兒童樂園中以龍園最吸引小朋友,是座巨大的流滑梯,小朋友都玩到忘了回家。
The Dragon Garden, with its massive slide, was the most captivating attraction for children in the Children's Paradise, keeping them so engrossed that they forgot to go home.
充滿節奏性的巨龍流滑梯,週末都吸引眾多都會小朋友們,樂在其中而流連忘返。
The rhythmic dragon slide attracts many urban children on weekends, who linger happily.
園中有別開生面的三大美妙遨遊園,其中以迷魂陣的鏡子園最迷惑人。
The garden features three uniquely wonderful wandering gardens, among which the Mirror Garden's labyrinth is the most bewildering.
迷魂陣的鏡子園映照反射,在虛幻與真實間充滿奇發意想的空間。
The Mirror Garden of the Maze reflects and refracts, creating a space full of whimsical imagination between illusion and reality.
園中以葡萄園為林蔭地帶也是避暑勝地,在大草園邊廣闊的棚架上。
The vineyard in the garden serves as a shaded area and a summer retreat, located along the expansive trellises bordering the large lawn.
葡萄園下系列點綴小灌木植物大盆栽,四周環繞著潺潺小溪,展現自然意象。
Large potted plantings of small shrubs from the Under the Vineyard series, surrounded by murmuring streams, evoking natural imagery.
葡萄園下花枝招展的季節性花草盆栽, 設計有最現代化的自動噴水設施。
Seasonal potted flowers and plants in full bloom under the vineyard, equipped with state-of-the-art automatic irrigation systems.
在葡萄園對面是詩意的竹園,栽種在露天地下室, 上面橫跨一條空中鐵架步道。
Opposite the vineyard lies a poetic bamboo garden, planted in an open-air basement with an elevated iron walkway spanning above it.
入竹園由一座蔥籠竹籬進入,樓梯兩側潺潺水生的階梯瀑布, 引人入勝的進入一座會發出清脆音樂的圓牆。
Entering the bamboo garden through a lush bamboo fence, cascading waterfalls flank the stairs on both sides, leading to an enchanting circular wall that emits clear, melodious music.
幾何形式竹園由各式各樣的高矮粗細竹子所構成, 旁邊一大面能量牆散發濕氣及熱量,製造亞熱帶氣候環境。
The geometric bamboo garden is composed of bamboos of various heights and thicknesses. A large energy wall beside it emits moisture and heat, creating a subtropical climate environment.
多元的公園中還有最具戲劇性的公共景觀藝術,在圓形 草原林蔭徑兩側邊,是美國普普藝術家奧登堡格(C Oldenburg)的傑作。
Among the diverse parks, there is also the most dramatic public landscape art,in the circular along both sides of the prairie tree-lined path,C Oldenburgmasterpiece。
歐!這是甚麼呢?ㄟ這豈不是倒置的腳踏車踏板, 如此巨大所以混淆了我們日以習常之視覺形象,而成為神奇。
Oh! What is this? Isn't this an upside-down bicycle pedal, so enormous that it confounds our accustomed visual image, thereby becoming magical.
那這呢?是露出地面半截的車身在黑白對比下, 相當幽默及抽象,仔細辦別方知是如此寫實。
What about this? The half-exposed car body, with its stark black-and-white contrast, is quite humorous and abstract; only upon closer inspection does one realize how realistic it is.
ㄟ 這不就是三分之二埋在地面上的腳踏車輪胎, 在幽默及風趣、抽象及寫實、想像及限時間。
Ah, isn't this a bicycle tire two-thirds buried in the ground, blending humor and wit, abstraction and realism, imagination and limitation?
這些紀念碑形式的大景觀雕刻就成為花都最大的兒童玩具。
These monumental landscape sculptures became the largest children's toys in Huadu.